Greater than: Every domino half in this space must add up to more than the number.
Out the gate, co-director/screenwriter Megan Rico puts a strong stamp on her coming-of-age comedy, just as Diablo Cody did with Juno. It's not that Edie and her peers speak with the verbal panache and enticingly quirky slang of Juno and her peers. It's that Edie and her best friend Frances (a brilliantly broad McKenna Tuckett) are hilariously irreverent in their mercurial rebellions. When a young new nun named Sister Sheena (Luseane Pasa) tries to get the cacophony of a girls' choir into shape, Frances and Edie take the opportunity to goof off with violent miming. They imagine they're popping out their eyeballs or being tased, implying that's less torturous than playing the organ and percussion for this ungodly choir. Rico and Atwood add a little spice to this scene by papering over scribbled graphics that illustrate blood, drool, darts, and electric jolts, emphasizing the spunk of these irrepressible girls.
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In web development, the surface is where most users' interactions happen. It's the part people touch and manipulate and see working. But the moment I try to share it with other people, the magic evaporates. Why?